Hollywood / Natalie Portman Criticises Oscars for Overlooking Female Directors in 2026
·2 months ago·3 min read

Key Points
- Natalie Portman criticized the 2026 Oscars for overlooking female directors, noting only Chloé Zhao is nominated in the Best Director category.
- She highlighted several acclaimed films made by women this year that were not recognized, citing systemic barriers at every level.
- Portman promoted her film 'The Gallerist' at Sundance and discussed the challenges women face in getting films made and acknowledged.
Los Angeles, Jan 26: Actress Natalie Portman criticised the Academy Awards on Monday for overlooking female directors in its nominations for the 2026 Oscars.
While stepping out at the Sundance Film Festival in Utah to promote her new film The Gallerist, the actress shared her frustrations about the lack of female representation in the Best Director category.
“So many of the best films I saw this year were made by women,” Portman, 44, said while speaking with Variety, reports people.com.
She added: “You just see the barriers at every level because so many were not recognized at awards time."
"Between Sorry Baby and Left-Handed Girl and Hedda and The Testament of Ann Lee… Extraordinary films this year that I think a lot of people are enjoying and loving, but are not getting the accolades that they deserve," she continued.
Chloé Zhao, who directed Hamnet, is the only woman up for Best Director this year. The category also includes Josh Safdie for Marty Supreme, Paul Thomas Anderson for One Battle After Another, Joachim Trier for Sentimental Value and Ryan Coogler for Sinners.
Among the 10 nominated films in the Best Picture category, Hamnet is the only one directed by a woman.
Portman went on to speak about the challenges of getting a movie made today.
“Even when you pass the barriers of getting your financing, which is harder, getting into festivals, which is harder. Every step of the road is harder, and then you’re out and it’s great, and then it also doesn’t get the attention,” she said.
The actress went on to note: “We have a lot of work to do still.”
“But joyfully, with a lot of joy, working with each other," she added with a laugh, "and it’s a very special process to be in community with women on set."
For The Gallerist, Portman worked with a female director, Cathy Yan. The dark comedy thriller, which also stars Jenna Ortega, Catherine Zeta-Jones, Sterling K Brown and Da'Vine Joy Randolph, follows a desperate gallery owner (Portman) who schemes to sell a dead man as art at Art Basel in Miami.
Another project of Portman's, the futuristic kids' movie Arco, earned a 2026 Oscar nomination for Best Animated Feature after debuting at the Cannes Film Festival last year. The actress voices the mother of a character named Iris, who befriends the titular Arco.
Portman recently shared that the movie, about the friendship between Iris and Arco, who meet when a time-travel trip goes awry, sparked "interesting conversations" with her two kids, son Aleph and daughter Amalia.
"It was incredible to watch it with them," she said.
Also Read: Mumbai Police Book 'Dhurandhar' Actor for Rape on Pretext of Marriage
Portman explained that the movie "raised so many interesting conversations from why the parents are holograms and not at home to, of course, the climate challenges that the kids face in it, to some of the solutions that the kids come up with, like 'Is that really possible in life, living on platforms above the earth to let the earth rest?' Things like that are amazing conversations I got to have with the kids because of the movie."
(IANS)
While stepping out at the Sundance Film Festival in Utah to promote her new film The Gallerist, the actress shared her frustrations about the lack of female representation in the Best Director category.
“So many of the best films I saw this year were made by women,” Portman, 44, said while speaking with Variety, reports people.com.
She added: “You just see the barriers at every level because so many were not recognized at awards time."
"Between Sorry Baby and Left-Handed Girl and Hedda and The Testament of Ann Lee… Extraordinary films this year that I think a lot of people are enjoying and loving, but are not getting the accolades that they deserve," she continued.
Chloé Zhao, who directed Hamnet, is the only woman up for Best Director this year. The category also includes Josh Safdie for Marty Supreme, Paul Thomas Anderson for One Battle After Another, Joachim Trier for Sentimental Value and Ryan Coogler for Sinners.
Among the 10 nominated films in the Best Picture category, Hamnet is the only one directed by a woman.
Portman went on to speak about the challenges of getting a movie made today.
“Even when you pass the barriers of getting your financing, which is harder, getting into festivals, which is harder. Every step of the road is harder, and then you’re out and it’s great, and then it also doesn’t get the attention,” she said.
The actress went on to note: “We have a lot of work to do still.”
“But joyfully, with a lot of joy, working with each other," she added with a laugh, "and it’s a very special process to be in community with women on set."
For The Gallerist, Portman worked with a female director, Cathy Yan. The dark comedy thriller, which also stars Jenna Ortega, Catherine Zeta-Jones, Sterling K Brown and Da'Vine Joy Randolph, follows a desperate gallery owner (Portman) who schemes to sell a dead man as art at Art Basel in Miami.
Another project of Portman's, the futuristic kids' movie Arco, earned a 2026 Oscar nomination for Best Animated Feature after debuting at the Cannes Film Festival last year. The actress voices the mother of a character named Iris, who befriends the titular Arco.
Portman recently shared that the movie, about the friendship between Iris and Arco, who meet when a time-travel trip goes awry, sparked "interesting conversations" with her two kids, son Aleph and daughter Amalia.
"It was incredible to watch it with them," she said.
Also Read: Mumbai Police Book 'Dhurandhar' Actor for Rape on Pretext of Marriage
Portman explained that the movie "raised so many interesting conversations from why the parents are holograms and not at home to, of course, the climate challenges that the kids face in it, to some of the solutions that the kids come up with, like 'Is that really possible in life, living on platforms above the earth to let the earth rest?' Things like that are amazing conversations I got to have with the kids because of the movie."
(IANS)
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